Folk pop duo Lewis Del Mar released their self-titled debut album on Oct. 7. The two gained traction after the single “Loud(y)” went viral over a year ago and after signing to Columbia Records they have released their first full LP. Lewis Del Mar is made of up vocalist/guitarist Danny Miller and drummer/producer Max Harwood.
Lewis Del Mar opens with a booming beginning that unfolds into easing, yet unsteady vocals with “Such Small Spaces.” This song contains raspy folk vocals and inflections with an African drumbeat that shakes the chorus. “Loud(y)” lures us into a cave with Harwood’s echoing, layered production and Miller’s welcoming, ominous vocals. The song “14 Faces” contains quick, intricate percussion that enhances Miller’s shouting vocals and is finished off by a raindrop guitar riff.
“Painting (Masterpiece)” is the cheery, beach song of the album. When it reaches the chorus Miller sings like a bird over the guitar line. Miller continues this vocal prowess in “Puerto Cabezas, NI” in which his vocals fall through the air while telling a mysterious story. This song has a metronome beginning and let’s Miller and Harwood shine individually. Harwood takes a step back while Miller tells his story and then Harwood echoes that with precise electronic production.
In “Tap Water Drinking” Miller’s folk guitar plays over Harwood’s electronic background, while including a hip-hop beat. The song has a tribal ending with static that evolves into a circus of sound.
“Malt Liquor” sounds the way malt liquor feels when it goes down the throat, and what is described in this song is exactly what happens after a night of drinking it. This song shows Lewis Del Mar’s influence from The Police and has a menacing, western guitar rhythm.
Lewis Del Mar has the creative gusto that the music industry needs right now. With this striking debut album there is no doubt that the duo is going to draw a fan base who will want more from them for years to come.
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