SWMRS 'Drive North' album review

Oakland-based punk rockers SWMRS released their new album Drive North on Oct. 14. SWMRS are a part of the new wave of punk that is breathing life back into the often over looked scene. SWMRS performs brutally honest, unfaltering music that is relatable no matter where your tastes in music lies.

Drive North opens with a scream in “Harry Dean” that is followed up by a traditional Ramones tempo and a sound that is currently being explored by Chicago up-and-comers The Orwells. “Harry Dean” features the deepest punk vocals on the album, showcasing where Cole Becker can take his voice.

“Brb” follows “Harry Dean” with a very unexpected sound from what was just heard. It is a percussion-driven song that forces you to feel the beat while hearing piercing yet subdued vocals. In “Miss Yer Kiss” Becker expresses just enough emotion to make the listener connect, without being melodramatic. “Figuring it Out” is similar to an early ‘00s alternative rock teen anthem.

Drive North shifts focus with “Hannah,” a track were the vocals sound as if Becker is having a slight psychotic break and making a declaration of how he just wants to be understood. “Drive North” is the dance track of the album and is a classic angst ridden punk manifesto.

“Lose It” tops off the album and it takes us to a completely different place than we were in when the album began. This song is characterized by a slow burning, Beach Boys melody and sneaking vocals.

SWMRS are doing exactly what needs to be done for the preservation of punk rock. Their music is genuine and purposeful. Drive North will leave any punk fan satisfied and inspired to seek out more of SWMRS.

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