Justin Michael Williams' debut album, Metamorphosis, is something worth paying attention to. Most people probably haven't heard of him, but within a couple of years that will change.
Williams lead single on the album is "Here with me," a song most likely dedicated to his late grandmother who inspired him to record this album. It's a nice, sweet song that anyone who has lost someone can find relatable. His light, airy voice combined with his effortless falsettos in this song are reminiscent of Maxwell.
The next song ,"Mirrors," continues the album with a somber, yet meaningful tone. It's a song about introspection, which is good subject matter, but his attempt to get his point across ends up being poorly executed.
"Set me Free" is a middle of the album track that is delightful change in tempo. With tons of bass, and a simple hook with a rhythmic clapping beat, it has a nice upbeat sound to it. The lyrics are sub par in this song, like Mirrors, but nowadays you don't need lyrics to get famous so who cares right?
"Too Hott" is another upbeat track, a lust inspired song that begs the question "Is sex on the dance floor too hott for you?" It should have been the lead single because it has serious potential for radio play and mainstream success. "Too Hott" has a beat that will make you move and background vocals that are enchanting. However, Williams again displays his need to improve his metaphors and lyrical quality ("I want to love you like a geisha in a sandstorm"........come on*facepalm*) but the song is definitely enjoyable.
Despite Williams' lack of overall lyrical talent, he does show flashes of being able to use his lyrics to connect to his listeners. The lead single "Here with me" and "Last Time" are proof of it. "Last Time" is a self-condemnation of his weakness and vulnerability for always going back to the person he shouldn't. ("This is the last time I break. How did I end up at his place? I just need my escape.")
The singing ability and production quality on Metamorphosis is definitely there. Justin Michael Williams has a voice that rivals Maxwell. His voice, ability to make relatable music and his pop infused R&B sound, undoubtedly influenced by the likes of Kygo and Kanye West, are reasons why can be successful. His lyrics do seem to hold him back somewhat, but I think Williams know's he needs to improve a little, and he plans to. He ends this album with a track titled "Shit gets better," which is a surreptitious message to the music industry and the world that his shit is only going to get better from here.
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